Vintage Mama Duck Duck Mothers Day T Shirt
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: All American uncle 4th of july shirt, hoodie, sweatshirt and long sleeve tee We’re desperately in need of a scale against which to measure brands’ sustainability; in the meantime, there’s always the test of time. “I think the comment I hear most,” said Norma Kamali, “is, ‘Oh, I still have your…[whatever].’ It really does make me feel great to think [that something I designed a long time ago] is still in their wardrobe.” Kamali’s catalog is so large and so adaptable, if she didn’t get bored easily, she could just rest on her laurels. Timing is an art, and of late, many of the designer’s rereleases are dictated by which of her vintage pieces are trending on Instagram; hence the reappearance of the Puli jumpsuit (Look 59) for Spring. Last Fall, Kamali revisited her “Modern Sculpture” dress—a tube separated from its connected sleeves by giant round cutouts sort of like a Henry Moore sculpture. Beyoncé and her team saw it and ordered customized versions for the “Spirit” video shot for The Lion King. It’s back for Spring as a dress, top, and jumpsuit, and in new fabrications. Speaking of art, Kamali has updated her parachute coat with metallic silver nylon that is almost as shiny as one of Jeff Koons’s reflective pieces. We talk a lot in the office about adapting swimwear for city life. Kamali, who is noted for her skills in this area, makes it easy with bra tops and other convertible pieces (another signature). For the daring, there are nude-illusion options; more covered but also chic are her “diaper” bottoms, first popularized by Claire McCardell in the 1940s. Kamali is still going strong with gender-fluid design “I think it’s becoming more and more real every season,” she noted and she photographed her Spring 2020 collection in two sessions, one on women, the other on men, some of whom are employees. The latter were invited to bring their own accessories and to choose and style any pieces they like. They selected their own poses as well. “They all chose this [wrap] dress,” Kamali noted, “and it’s very funny because it’s a dress I did in the ’70s, and it was the first dress that guys ever bought from me.” Good design, apparently, has no expiration date. “Clothes,” states Kamali, “have to function, but they also have to make you happy.” The empire didn’t exist when the English army started to wear red. The British army could be called the British army, and not the English army by the end of the 17th century. However red comes about due to the English civil war and the parliament’s “New Model Army” which was formed in 1645. Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). In the past week, we’ve witnessed the great American department store Barneys be sold, and the New York original Zac Posen shutter his eponymous business. “It’s not an easy time in our industry,” Posen told Vogue Runway. It’s true, the old systems seem to be coming apart at the seams, but it’s not all dire headlines: New models are emerging. Consider Steven Cox and Daniel Silver of Duckie Brown; their last runway show was in 2016. In the interim, they unwound their wholesale relationships and converted their Meatpacking District studio into a salon of sorts, one part appointment-only store, and the other art gallery, where they host private clients and events that split the difference between art openings and pop-up markets. A visit to their charming, well-curated space is as energizing as a trip through a big-box store is depleting. The smaller-is-better approach feels right for all the familiar reasons: the winnowing of established names from Fashion Week, the glut of stuff not only in our closets but also in our landfills, and consumers’ growing distaste for giant corporations (see: the tech backlash) among them. It’s right for Cox and Silver in particular because they’re making non-flashy but still, special wardrobing pieces designed for real life, not the runway, like trenches, combines, drop-crotch pants, and drop-sleeve button-downs, plus the occasional one-off triathlon short in a kitschy silk print. If you want a fall piece or even an archival Duckie look in a fabric from the giant stack of rolls under their work table, they can make that for you for a surcharge. Conveniently for all involved, since there’s no longer a “middle man,” they’re able to charge less and still earn more than they did pre-restructure. On their spring 2020 racks are a pair of trenches: one is an almost weightless buff-colored silk and the other in a bright yellow stiff-waxed cotton, identically cut yet entirely different in effect. Ingenuity through practicality; it’s a simple recipe for complicated times, and it’s working for Duckie Brown. Velvet has a sheen to it, subtle, yes, which makes it an iffy fabric to wear if one doesn’t have a beautiful figure, but Catherine does, so it worked wonderfully. Velvet (in navy, how chic) is a favourite of mine for Christmastime and parties in winter. The Duchess smiled as she drove in with Prince William who wore white tie for the event. William looked dapper and happy, and the reception was for more than 1,000 guests. Impressive! Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Lovenemotee This product belong to trung-cuong Vintage Mama Duck Duck Mothers Day T Shirt This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: All American uncle 4th of july shirt, hoodie, sweatshirt and long sleeve tee We’re desperately in need of a scale against which to measure brands’ sustainability; in the meantime, there’s always the test of time. “I think the comment I hear most,” said Norma Kamali, “is, ‘Oh, I still have your…[whatever].’ It really does make me feel great to think [that something I designed a long time ago] is still in their wardrobe.” Kamali’s catalog is so large and so adaptable, if she didn’t get bored easily, she could just rest on her laurels. Timing is an art, and of late, many of the designer’s rereleases are dictated by which of her vintage pieces are trending on Instagram; hence the reappearance of the Puli jumpsuit (Look 59) for Spring. Last Fall, Kamali revisited her “Modern Sculpture” dress—a tube separated from its connected sleeves by giant round cutouts sort of like a Henry Moore sculpture. Beyoncé and her team saw it and ordered customized versions for the “Spirit” video shot for The Lion King. It’s back for Spring as a dress, top, and jumpsuit, and in new fabrications. Speaking of art, Kamali has updated her parachute coat with metallic silver nylon that is almost as shiny as one of Jeff Koons’s reflective pieces. We talk a lot in the office about adapting swimwear for city life. Kamali, who is noted for her skills in this area, makes it easy with bra tops and other convertible pieces (another signature). For the daring, there are nude-illusion options; more covered but also chic are her “diaper” bottoms, first popularized by Claire McCardell in the 1940s. Kamali is still going strong with gender-fluid design “I think it’s becoming more and more real every season,” she noted and she photographed her Spring 2020 collection in two sessions, one on women, the other on men, some of whom are employees. The latter were invited to bring their own accessories and to choose and style any pieces they like. They selected their own poses as well. “They all chose this [wrap] dress,” Kamali noted, “and it’s very funny because it’s a dress I did in the ’70s, and it was the first dress that guys ever bought from me.” Good design, apparently, has no expiration date. “Clothes,” states Kamali, “have to function, but they also have to make you happy.” The empire didn’t exist when the English army started to wear red. The British army could be called the British army, and not the English army by the end of the 17th century. However red comes about due to the English civil war and the parliament’s “New Model Army” which was formed in 1645. Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). In the past week, we’ve witnessed the great American department store Barneys be sold, and the New York original Zac Posen shutter his eponymous business. “It’s not an easy time in our industry,” Posen told Vogue Runway. It’s true, the old systems seem to be coming apart at the seams, but it’s not all dire headlines: New models are emerging. Consider Steven Cox and Daniel Silver of Duckie Brown; their last runway show was in 2016. In the interim, they unwound their wholesale relationships and converted their Meatpacking District studio into a salon of sorts, one part appointment-only store, and the other art gallery, where they host private clients and events that split the difference between art openings and pop-up markets. A visit to their charming, well-curated space is as energizing as a trip through a big-box store is depleting. The smaller-is-better approach feels right for all the familiar reasons: the winnowing of established names from Fashion Week, the glut of stuff not only in our closets but also in our landfills, and consumers’ growing distaste for giant corporations (see: the tech backlash) among them. It’s right for Cox and Silver in particular because they’re making non-flashy but still, special wardrobing pieces designed for real life, not the runway, like trenches, combines, drop-crotch pants, and drop-sleeve button-downs, plus the occasional one-off triathlon short in a kitschy silk print. If you want a fall piece or even an archival Duckie look in a fabric from the giant stack of rolls under their work table, they can make that for you for a surcharge. Conveniently for all involved, since there’s no longer a “middle man,” they’re able to charge less and still earn more than they did pre-restructure. On their spring 2020 racks are a pair of trenches: one is an almost weightless buff-colored silk and the other in a bright yellow stiff-waxed cotton, identically cut yet entirely different in effect. Ingenuity through practicality; it’s a simple recipe for complicated times, and it’s working for Duckie Brown. Velvet has a sheen to it, subtle, yes, which makes it an iffy fabric to wear if one doesn’t have a beautiful figure, but Catherine does, so it worked wonderfully. Velvet (in navy, how chic) is a favourite of mine for Christmastime and parties in winter. The Duchess smiled as she drove in with Prince William who wore white tie for the event. William looked dapper and happy, and the reception was for more than 1,000 guests. Impressive! Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Lovenemotee This product belong to trung-cuong
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: All American uncle 4th of july shirt, hoodie, sweatshirt and long sleeve tee We’re desperately in need of a scale against which to measure brands’ sustainability; in the meantime, there’s always the test of time. “I think the comment I hear most,” said Norma Kamali, “is, ‘Oh, I still have your…[whatever].’ It really does make me feel great to think [that something I designed a long time ago] is still in their wardrobe.” Kamali’s catalog is so large and so adaptable, if she didn’t get bored easily, she could just rest on her laurels. Timing is an art, and of late, many of the designer’s rereleases are dictated by which of her vintage pieces are trending on Instagram; hence the reappearance of the Puli jumpsuit (Look 59) for Spring. Last Fall, Kamali revisited her “Modern Sculpture” dress—a tube separated from its connected sleeves by giant round cutouts sort of like a Henry Moore sculpture. Beyoncé and her team saw it and ordered customized versions for the “Spirit” video shot for The Lion King. It’s back for Spring as a dress, top, and jumpsuit, and in new fabrications. Speaking of art, Kamali has updated her parachute coat with metallic silver nylon that is almost as shiny as one of Jeff Koons’s reflective pieces. We talk a lot in the office about adapting swimwear for city life. Kamali, who is noted for her skills in this area, makes it easy with bra tops and other convertible pieces (another signature). For the daring, there are nude-illusion options; more covered but also chic are her “diaper” bottoms, first popularized by Claire McCardell in the 1940s. Kamali is still going strong with gender-fluid design “I think it’s becoming more and more real every season,” she noted and she photographed her Spring 2020 collection in two sessions, one on women, the other on men, some of whom are employees. The latter were invited to bring their own accessories and to choose and style any pieces they like. They selected their own poses as well. “They all chose this [wrap] dress,” Kamali noted, “and it’s very funny because it’s a dress I did in the ’70s, and it was the first dress that guys ever bought from me.” Good design, apparently, has no expiration date. “Clothes,” states Kamali, “have to function, but they also have to make you happy.” The empire didn’t exist when the English army started to wear red. The British army could be called the British army, and not the English army by the end of the 17th century. However red comes about due to the English civil war and the parliament’s “New Model Army” which was formed in 1645. Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). In the past week, we’ve witnessed the great American department store Barneys be sold, and the New York original Zac Posen shutter his eponymous business. “It’s not an easy time in our industry,” Posen told Vogue Runway. It’s true, the old systems seem to be coming apart at the seams, but it’s not all dire headlines: New models are emerging. Consider Steven Cox and Daniel Silver of Duckie Brown; their last runway show was in 2016. In the interim, they unwound their wholesale relationships and converted their Meatpacking District studio into a salon of sorts, one part appointment-only store, and the other art gallery, where they host private clients and events that split the difference between art openings and pop-up markets. A visit to their charming, well-curated space is as energizing as a trip through a big-box store is depleting. The smaller-is-better approach feels right for all the familiar reasons: the winnowing of established names from Fashion Week, the glut of stuff not only in our closets but also in our landfills, and consumers’ growing distaste for giant corporations (see: the tech backlash) among them. It’s right for Cox and Silver in particular because they’re making non-flashy but still, special wardrobing pieces designed for real life, not the runway, like trenches, combines, drop-crotch pants, and drop-sleeve button-downs, plus the occasional one-off triathlon short in a kitschy silk print. If you want a fall piece or even an archival Duckie look in a fabric from the giant stack of rolls under their work table, they can make that for you for a surcharge. Conveniently for all involved, since there’s no longer a “middle man,” they’re able to charge less and still earn more than they did pre-restructure. On their spring 2020 racks are a pair of trenches: one is an almost weightless buff-colored silk and the other in a bright yellow stiff-waxed cotton, identically cut yet entirely different in effect. Ingenuity through practicality; it’s a simple recipe for complicated times, and it’s working for Duckie Brown. Velvet has a sheen to it, subtle, yes, which makes it an iffy fabric to wear if one doesn’t have a beautiful figure, but Catherine does, so it worked wonderfully. Velvet (in navy, how chic) is a favourite of mine for Christmastime and parties in winter. The Duchess smiled as she drove in with Prince William who wore white tie for the event. William looked dapper and happy, and the reception was for more than 1,000 guests. Impressive! Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Lovenemotee This product belong to trung-cuong Vintage Mama Duck Duck Mothers Day T Shirt This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: All American uncle 4th of july shirt, hoodie, sweatshirt and long sleeve tee We’re desperately in need of a scale against which to measure brands’ sustainability; in the meantime, there’s always the test of time. “I think the comment I hear most,” said Norma Kamali, “is, ‘Oh, I still have your…[whatever].’ It really does make me feel great to think [that something I designed a long time ago] is still in their wardrobe.” Kamali’s catalog is so large and so adaptable, if she didn’t get bored easily, she could just rest on her laurels. Timing is an art, and of late, many of the designer’s rereleases are dictated by which of her vintage pieces are trending on Instagram; hence the reappearance of the Puli jumpsuit (Look 59) for Spring. Last Fall, Kamali revisited her “Modern Sculpture” dress—a tube separated from its connected sleeves by giant round cutouts sort of like a Henry Moore sculpture. Beyoncé and her team saw it and ordered customized versions for the “Spirit” video shot for The Lion King. It’s back for Spring as a dress, top, and jumpsuit, and in new fabrications. Speaking of art, Kamali has updated her parachute coat with metallic silver nylon that is almost as shiny as one of Jeff Koons’s reflective pieces. We talk a lot in the office about adapting swimwear for city life. Kamali, who is noted for her skills in this area, makes it easy with bra tops and other convertible pieces (another signature). For the daring, there are nude-illusion options; more covered but also chic are her “diaper” bottoms, first popularized by Claire McCardell in the 1940s. Kamali is still going strong with gender-fluid design “I think it’s becoming more and more real every season,” she noted and she photographed her Spring 2020 collection in two sessions, one on women, the other on men, some of whom are employees. The latter were invited to bring their own accessories and to choose and style any pieces they like. They selected their own poses as well. “They all chose this [wrap] dress,” Kamali noted, “and it’s very funny because it’s a dress I did in the ’70s, and it was the first dress that guys ever bought from me.” Good design, apparently, has no expiration date. “Clothes,” states Kamali, “have to function, but they also have to make you happy.” The empire didn’t exist when the English army started to wear red. The British army could be called the British army, and not the English army by the end of the 17th century. However red comes about due to the English civil war and the parliament’s “New Model Army” which was formed in 1645. Due to the ever-expanding menswear season, I wasn’t in New York to watch Nihl’s models slink around Nowhere Bar in New York I was about 7,000 miles away in Shanghai for Prada’s Spring 2020 runway of innocents. At a preview for Neil Grotzinger’s Spring 2020 collection, the designer explained his myriad references, starting with bar culture and the link between hetero and queer masculinity. Hence the venue he chose on East 14th Street, the sort of grimy spot where you could imagine downing some Heinekens alongside Pride flags and twinkling Christmas lights. Grotzinger thrives in the contradictory space of queer masculinity, exploring the areas where masc meets femme, hardcore meets tenderness. He’s only been at it for three seasons since graduating Parsons’s MFA program, but he’s already built a recognizable oeuvre: pelvis-baring trousers, second-skin tops with suggestive cutouts, and rigorous handiwork like beading and chain mail. Spring 2020 is his most evolved and sure-footed collection yet. The stretch tops and trousers with circular chunks removed remain, but Grotzinger has expanded into leather, offering uniform-inspired jackets and V-front trousers. Those plunging fronts might seem untenable for real-world wear, but as the designer demo, he’s calculated the exact curve that allows the pants to cantilever around the lower body, staying put even while slightly unzipped. There is also a large group of shirting, with banker stripes meeting up with homoerotic portrayals of cowboys and car culture. Grotzinger ran the shirts through a sewing machine willy-nilly to create corset seams that run around the body, front to back, tugging the fabric off the shoulder here, revealing a collarbone there. In a variety of shapes and patterns, these have instant hanger appeal. The most beautifully kinky of Grotzinger’s creations are the flight suits, rendered useless or at least useless for pilots by zippers or hook-and-eye closures that circle the body. Equal parts Leigh Bowery and Evel Knievel, these are perfectly strange summations of Grotzinger’s MO: fetishizing functionality from a queer POV. These might not be the most salable of his offering, but much else of what appears in this lookbook surely warrants a spot at retail. As of yet, only one shop carries Nihl. If the menswear season is big enough to warrant trips halfway around the world, surely its stores are big enough to carry this daring young designer. Up to this point regiments or companies would wear colors mostly dependent on the whims of whoever raised the unit, who back then usually also paid for much of a unit’s equipment including uniforms (This is a bit of an oversimplification). In the past week, we’ve witnessed the great American department store Barneys be sold, and the New York original Zac Posen shutter his eponymous business. “It’s not an easy time in our industry,” Posen told Vogue Runway. It’s true, the old systems seem to be coming apart at the seams, but it’s not all dire headlines: New models are emerging. Consider Steven Cox and Daniel Silver of Duckie Brown; their last runway show was in 2016. In the interim, they unwound their wholesale relationships and converted their Meatpacking District studio into a salon of sorts, one part appointment-only store, and the other art gallery, where they host private clients and events that split the difference between art openings and pop-up markets. A visit to their charming, well-curated space is as energizing as a trip through a big-box store is depleting. The smaller-is-better approach feels right for all the familiar reasons: the winnowing of established names from Fashion Week, the glut of stuff not only in our closets but also in our landfills, and consumers’ growing distaste for giant corporations (see: the tech backlash) among them. It’s right for Cox and Silver in particular because they’re making non-flashy but still, special wardrobing pieces designed for real life, not the runway, like trenches, combines, drop-crotch pants, and drop-sleeve button-downs, plus the occasional one-off triathlon short in a kitschy silk print. If you want a fall piece or even an archival Duckie look in a fabric from the giant stack of rolls under their work table, they can make that for you for a surcharge. Conveniently for all involved, since there’s no longer a “middle man,” they’re able to charge less and still earn more than they did pre-restructure. On their spring 2020 racks are a pair of trenches: one is an almost weightless buff-colored silk and the other in a bright yellow stiff-waxed cotton, identically cut yet entirely different in effect. Ingenuity through practicality; it’s a simple recipe for complicated times, and it’s working for Duckie Brown. Velvet has a sheen to it, subtle, yes, which makes it an iffy fabric to wear if one doesn’t have a beautiful figure, but Catherine does, so it worked wonderfully. Velvet (in navy, how chic) is a favourite of mine for Christmastime and parties in winter. The Duchess smiled as she drove in with Prince William who wore white tie for the event. William looked dapper and happy, and the reception was for more than 1,000 guests. Impressive! 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