I Don't Always Knit Sometimes I Eat And Sleep And Once I Even Left My House Shirts
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: https://nicefrogtees.com/product/some-super-heroes-dont-have-capes-the-yare-called-dad-shirt/ As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. A scary character walking in with the “police” was wearing a shirt, a tie stamped with a Global Mind Fuck logo, a conference sticker reading “Hello I am Capitalism,” and a MAGA cap. Wait, no, a red baseball cap with For Rent embroidered on it. Rent? Large For Rent signs appeared on the backs of jackets, too. What did that signify? All the things you can imagine when you see it, about the desperation of a generation willing to do anything to get paid or the hollowed-out husks of men with no moral scruples about moving capital around. Along the way, the root of all evil itself popped up, too, stamped on T-shirts in the form of dollar bills with redesigned text that read: “I Am the Piece of Paper That Controls Your Entire Life.” Gvasalia had explained earlier that the uniforms were based on Russian police wear. “I love uniforms. We wanted to design a Vetements uniform and kind of try to meme it into fashion.” Well, is mimicking the guises of a system with a few savage twists and puns a way of getting under its skin? Gvasalia remembers turning up at an event as a student, “something I knew [I] had no real hope of getting into,” but he was wearing a piece of a secondhand uniform, and found people stepping aside to wave him in. “Because they assumed I was a security guard.” That’s amusing. But can Gvasalia have it both ways: participating in the novelty-driven production cycle of the fashion industry, while criticizing it? At the beginning of Vetements, the idea of using the preexisting led to recycling jeans, cutting pieces from many sources into one. That’s still going on at Vetements, by the look of it. Plus the mounded-up print collaged dresses another Gvasalia signature really are made from leftover Vetements fabrics. The For Rent signs, he said, also posed the question about ownership of clothes “in the future.” Well, that’s already happening out there. How meta would it be if Vetements fans end up renting Vetements For Hire clothes? He wasn’t making any claims to be completely committing to the circular economy. Yet. But surely that will come for Vetements and everyone a change forced on brands by youthful followers who increasingly choose to place their dollars with ethical operators. Looking at this I realized that spending does not directly cause a change in the level of wealth. It is only the net production of wealth that affects the level of wealth. And even though spending and the economic activity it promotes can lead to the production of wealth, a given amount of spending and income does not absolutely or uniquely determine the amount of net production that occurs. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://nicefrogtees.com This product belong to hieu-vu I Don't Always Knit Sometimes I Eat And Sleep And Once I Even Left My House Shirts This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: https://nicefrogtees.com/product/some-super-heroes-dont-have-capes-the-yare-called-dad-shirt/ As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. A scary character walking in with the “police” was wearing a shirt, a tie stamped with a Global Mind Fuck logo, a conference sticker reading “Hello I am Capitalism,” and a MAGA cap. Wait, no, a red baseball cap with For Rent embroidered on it. Rent? Large For Rent signs appeared on the backs of jackets, too. What did that signify? All the things you can imagine when you see it, about the desperation of a generation willing to do anything to get paid or the hollowed-out husks of men with no moral scruples about moving capital around. Along the way, the root of all evil itself popped up, too, stamped on T-shirts in the form of dollar bills with redesigned text that read: “I Am the Piece of Paper That Controls Your Entire Life.” Gvasalia had explained earlier that the uniforms were based on Russian police wear. “I love uniforms. We wanted to design a Vetements uniform and kind of try to meme it into fashion.” Well, is mimicking the guises of a system with a few savage twists and puns a way of getting under its skin? Gvasalia remembers turning up at an event as a student, “something I knew [I] had no real hope of getting into,” but he was wearing a piece of a secondhand uniform, and found people stepping aside to wave him in. “Because they assumed I was a security guard.” That’s amusing. But can Gvasalia have it both ways: participating in the novelty-driven production cycle of the fashion industry, while criticizing it? At the beginning of Vetements, the idea of using the preexisting led to recycling jeans, cutting pieces from many sources into one. That’s still going on at Vetements, by the look of it. Plus the mounded-up print collaged dresses another Gvasalia signature really are made from leftover Vetements fabrics. The For Rent signs, he said, also posed the question about ownership of clothes “in the future.” Well, that’s already happening out there. How meta would it be if Vetements fans end up renting Vetements For Hire clothes? He wasn’t making any claims to be completely committing to the circular economy. Yet. But surely that will come for Vetements and everyone a change forced on brands by youthful followers who increasingly choose to place their dollars with ethical operators. Looking at this I realized that spending does not directly cause a change in the level of wealth. It is only the net production of wealth that affects the level of wealth. And even though spending and the economic activity it promotes can lead to the production of wealth, a given amount of spending and income does not absolutely or uniquely determine the amount of net production that occurs. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://nicefrogtees.com This product belong to hieu-vu
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: https://nicefrogtees.com/product/some-super-heroes-dont-have-capes-the-yare-called-dad-shirt/ As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. A scary character walking in with the “police” was wearing a shirt, a tie stamped with a Global Mind Fuck logo, a conference sticker reading “Hello I am Capitalism,” and a MAGA cap. Wait, no, a red baseball cap with For Rent embroidered on it. Rent? Large For Rent signs appeared on the backs of jackets, too. What did that signify? All the things you can imagine when you see it, about the desperation of a generation willing to do anything to get paid or the hollowed-out husks of men with no moral scruples about moving capital around. Along the way, the root of all evil itself popped up, too, stamped on T-shirts in the form of dollar bills with redesigned text that read: “I Am the Piece of Paper That Controls Your Entire Life.” Gvasalia had explained earlier that the uniforms were based on Russian police wear. “I love uniforms. We wanted to design a Vetements uniform and kind of try to meme it into fashion.” Well, is mimicking the guises of a system with a few savage twists and puns a way of getting under its skin? Gvasalia remembers turning up at an event as a student, “something I knew [I] had no real hope of getting into,” but he was wearing a piece of a secondhand uniform, and found people stepping aside to wave him in. “Because they assumed I was a security guard.” That’s amusing. But can Gvasalia have it both ways: participating in the novelty-driven production cycle of the fashion industry, while criticizing it? At the beginning of Vetements, the idea of using the preexisting led to recycling jeans, cutting pieces from many sources into one. That’s still going on at Vetements, by the look of it. Plus the mounded-up print collaged dresses another Gvasalia signature really are made from leftover Vetements fabrics. The For Rent signs, he said, also posed the question about ownership of clothes “in the future.” Well, that’s already happening out there. How meta would it be if Vetements fans end up renting Vetements For Hire clothes? He wasn’t making any claims to be completely committing to the circular economy. Yet. But surely that will come for Vetements and everyone a change forced on brands by youthful followers who increasingly choose to place their dollars with ethical operators. Looking at this I realized that spending does not directly cause a change in the level of wealth. It is only the net production of wealth that affects the level of wealth. And even though spending and the economic activity it promotes can lead to the production of wealth, a given amount of spending and income does not absolutely or uniquely determine the amount of net production that occurs. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://nicefrogtees.com This product belong to hieu-vu I Don't Always Knit Sometimes I Eat And Sleep And Once I Even Left My House Shirts This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: https://nicefrogtees.com/product/some-super-heroes-dont-have-capes-the-yare-called-dad-shirt/ As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. A scary character walking in with the “police” was wearing a shirt, a tie stamped with a Global Mind Fuck logo, a conference sticker reading “Hello I am Capitalism,” and a MAGA cap. Wait, no, a red baseball cap with For Rent embroidered on it. Rent? Large For Rent signs appeared on the backs of jackets, too. What did that signify? All the things you can imagine when you see it, about the desperation of a generation willing to do anything to get paid or the hollowed-out husks of men with no moral scruples about moving capital around. Along the way, the root of all evil itself popped up, too, stamped on T-shirts in the form of dollar bills with redesigned text that read: “I Am the Piece of Paper That Controls Your Entire Life.” Gvasalia had explained earlier that the uniforms were based on Russian police wear. “I love uniforms. We wanted to design a Vetements uniform and kind of try to meme it into fashion.” Well, is mimicking the guises of a system with a few savage twists and puns a way of getting under its skin? Gvasalia remembers turning up at an event as a student, “something I knew [I] had no real hope of getting into,” but he was wearing a piece of a secondhand uniform, and found people stepping aside to wave him in. “Because they assumed I was a security guard.” That’s amusing. But can Gvasalia have it both ways: participating in the novelty-driven production cycle of the fashion industry, while criticizing it? At the beginning of Vetements, the idea of using the preexisting led to recycling jeans, cutting pieces from many sources into one. That’s still going on at Vetements, by the look of it. Plus the mounded-up print collaged dresses another Gvasalia signature really are made from leftover Vetements fabrics. The For Rent signs, he said, also posed the question about ownership of clothes “in the future.” Well, that’s already happening out there. How meta would it be if Vetements fans end up renting Vetements For Hire clothes? He wasn’t making any claims to be completely committing to the circular economy. Yet. But surely that will come for Vetements and everyone a change forced on brands by youthful followers who increasingly choose to place their dollars with ethical operators. Looking at this I realized that spending does not directly cause a change in the level of wealth. It is only the net production of wealth that affects the level of wealth. And even though spending and the economic activity it promotes can lead to the production of wealth, a given amount of spending and income does not absolutely or uniquely determine the amount of net production that occurs. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. 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